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Dope Ver Pelicula Online Gratis

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A critical hit and audience favorite out of the Sundance Film Festival, in DOPE, Malcolm (Shameik Moore) is carefully surviving life in a tough neighborhood in Los Angeles while juggling college applications, academic interviews, and the SAT. A chance invitation to an underground party leads him into an adventure that could allow him to go from being a geek, to being dope, to ultimately being himself. (C) Open Road

About Dope

Artist : Shameik Moore, Tony Revolori, Kiersey Clemons
As : Dom, Will Sherwood, Mr Bailey
Title : Dope Ver Pelicula Online Gratis
Release date : 2015-06-19
Movie Code : 3850214
Duration : 115
Category : Comedy, Drama

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Name : Ignatiy Vishnevetsky / Alias : AV Club
In an era full of indifferent, cookie-cutter indies, an excess of ideas and personality is hardly a bad thing.

Name : Jordan Hoffman / Alias : New York Daily News
The tone is fast and funny, with a modern "Risky Business" or "Ferris Bueller's Day Off" vibe, but there's an additional layer that stems from the violence of the neighborhood.

Name : Boyd van Hoeij / Alias : Hollywood Reporter
A funny and often intelligent crowd-pleaser about three geeks who get smart about drug-dealing.

Name : Randy Myers / Alias : San Jose Mercury News
While Famuyiwa deserves the lion's share of acclaim for making "Dope" such an inventive, hyperactive and electrifying comedy, it is Moore who gives "Dope" its big heart.

Name : Rafer Guzman / Alias : Newsday
A freewheeling comedy about sex, drugs and identity politics.

Name : Ann Hornaday / Alias : Washington Post
"Dope" is the bomb.

Name : Joshua Rothkopf / Alias : Time Out
Writer-director Rick Famuyiwa . doubles down on an applying-to-Harvard satire that both upends demographic expectations while insisting (at times a bit strenuously) that we all aim a little higher.

Name : Peter Howell / Alias : Toronto Star
A narrative as freewheeling as this one might ordinarily daze and confuse. But Malcolm makes for such a forceful character, it's easy to go along with whatever direction he's headed in.

Name : Alan Scherstuhl / Alias : Village Voice
Again and again, Dope puts us in Malcolm's Air Jordans, letting us sweat or fear or hope right with him.

Name : Cary Darling / Alias : Fort Worth Star-Telegram/DFW.com
Be sure to stay for the end credits. No other summer-movie credit crawl is going to get audiences dusting off their old Running Man and Cabbage Patch dance moves like this one. Take that, Jurassic World.

Name : Mark Feeney / Alias : Boston Globe
"Dope" is too smart and lively to be dismissed. It's even original in its mixing of ingredients, however unoriginal those ingredients may be. But it's also unfeeling and, beneath its in-the-hood surface, as much a bit of artifice as a Wes Anderson movie.

Name : James Berardinelli / Alias : ReelViews
The film's ability to confound expectations while delivering some big laughs may be its most crowd-pleasing characteristic but the anti-stereotype message rings clear as a bell throughout.

Name : Dennis Harvey / Alias : Variety
The cast, drawn from comedy, rap, TV, modeling and other spheres, is sharply on form throughout, as is Famuyiwa's direction; the pic's esprit is amplified by every editorial trick in the book, from split-screen to freeze-frames.

Name : Michael Phillips / Alias : Chicago Tribune
The tone of "Dope" is very interesting - funny, but rarely stupid-funny. The film does not wear its serious observations, about aspirations and realities and hypocrisies of all kinds (not just racial), in a heavy fashion.

Name : Soren Anderson / Alias : Seattle Times
Moore, who's done some TV work and is also a singer and dancer, emerges as a genuine movie star in "Dope." He's very good looking and has charisma to burn, and he controls the screen in every scene he's in. Which is practically every scene.

Name : A.O. Scott / Alias : New York Times
Mr. Famuyiwa . shoves disparate genre elements together as if pulling jigsaw puzzle pieces from a half-dozen different boxes, and if the finished work isn't quite convincing, it's still fun to look at.

Name : Patrick Dunn / Alias : Detroit News
When so many black movie characters are simple stereotypes, it's a pleasure to see a film with real wit about the benefits and pitfalls of playing to and against those expectations.

Name : Alonso Duralde / Alias : TheWrap
This vibrant film is a bit of a mess, but it's a beautiful one.

Name : Peter Travers / Alias : Rolling Stone
Shameik Moore gives a smashing breakout performance in a comedy of social expectation that plays like an exhilarating gift.

Name : Kevin C. Johnson / Alias : St. Louis Post-Dispatch
"Dope" is funny, slick and sharp.

Name : Kyle Smith / Alias : New York Post
As a comedy, the film isn't especially funny, and as a screwball drug caper a la "Go," it's raggedly plotted, with ridiculous coincidences popping up everywhere.

Name : Colin Covert / Alias : Minneapolis Star Tribune
It's downright dainty as far as plot, but a mostly tasty layer cake of drugs, jokes, sex, jokes, cool young cast members, jokes, 1992 hip-hop, cartoony characters, a heist and a lot more jokes.

Name : Bilge Ebiri / Alias : New York Magazine/Vulture
It's a remorselessly entertaining, Frankenstein's monster of pop-culture borrowings and appropriations. So much so that it becomes very much its own thing.

Name : Julian Carrington / Alias : Globe and Mail
Even as Famuyiwa acknowledges the preconceptions that Malcolm's blackness engenders, he invites audiences to identify with the character on the basis of his relatable interests, aspirations and vulnerabilities.

Name : Rene Rodriguez / Alias : Miami Herald
Here is the rare movie overstuffed with memorable moments that would have been better if there had been fewer of them.

Name : Joe Morgenstern / Alias : Wall Street Journal
If "Dope" were as earnest as Malcolm seems to be, you might expect it to be a bit of a bore. No worries on that count, though.

Name : Brian Truitt / Alias : USA Today
Dope digs into racial culture in a real way with Malcolm struggling with the fact that he doesn't fit being a geek or a menace to society, and it's a hoot to root him on as he finds his place somewhere in between.

Name : Robert Abele / Alias : Los Angeles Times
"Dope" is, in the end, just another unfunny grab bag of stereotypes. Don't believe the hype.

Name : Lindsey Bahr / Alias : Associated Press
A fantastical, slight, and occasionally fun, hip hop-scored romp.

Name : Andrew O'Hehir / Alias : Salon.com
"Dope" may be the perfect movie for the summer of 2015.

Name : Mick LaSalle / Alias : San Francisco Chronicle
Shameik Moore is a forceful, sympathetic locus, with an appealing gentleness of spirit that in no way seems entirely innocent. There's a drive there. As for Zoe Kravitz, she is having one terrific year.

Name : Dana Stevens / Alias : Slate
Dope's biggest strength lies in its affectionate and honest portrait of a different kind of young urban blackness than we're used to seeing on movie screens.

Name : Bill Goodykoontz / Alias : Arizona Republic
The acting is uniformly good. This is Moore's first big role, and he delivers a performance both entertaining and believable.

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Triple 9 Ver Pelicula Latino Online

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In TRIPLE NINE, a crew of dirty cops is blackmailed by the Russian mob to execute a virtually impossible heist and the only way to pull it off is to manufacture a 999, police code for "officer down." Their plan is turned upside down when the unsuspecting rookie they set up to die foils the attack, triggering a breakneck action-packed finale tangled with double-crosses, greed and revenge. (C) Open Road Films

About Triple 9

Artist : John Hillcoat, Matt Cook
As : Gal Gadot, Teresa Palmer, Kate Winslet
Title : Triple 9 Ver Pelicula Latino Online
Release date : 2016-02-26
Movie Code : 1712261
Duration : 115
Category : Drama

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Comment For Triple 9 Cine

Name : Amy Nicholson / Alias : MTV
#AllLivesMatter? Not here. Hillcoat wants us to admit the truth behind the robbers' callous calculation: Some people are worth more than others.

Name : Liz Braun / Alias : Toronto Sun
Triple 9 races past in a blur of crime and action scenes, with plenty of violence and the odd spot of gallows humour to keep things interesting.

Name : Alonso Duralde / Alias : TheWrap
If there's a police code it merits, it's a "10-22": "Disregard."

Name : Richard Roeper / Alias : Chicago Sun-Times
If you're in the right frame of mind for a lurid, blood-soaked B-movie with an A-list cast, Triple 9 is just the ticket.

Name : Katie Walsh / Alias : Los Angeles Times
Hillcoat directs with a sense of immediacy and grimy realism, bringing the audience into the shootouts and bloodshed on the streets. Atlanta becomes another war zone for the men who have seen war, battling an enemy of a different race and culture.

Name : Peter Travers / Alias : Rolling Stone
Triple 9 is no Reservoir Dogs, but it is a twisty, terrific ride. And Kate Winslet has a blast with the Russian accent, the wig, the attitude.

Name : Alan Scherstuhl / Alias : Village Voice
It's hard to tell how much time has passed between scenes, or just why, as the twists come, the characters would suddenly turn so dumb.

Name : Tony Hicks / Alias : San Jose Mercury News
There are a lot of great actors here and surprisingly good action scenes and a tense ending, all of which make "Triple 9" one of the more enjoyable urban crime dramas in recent memory.

Name : Lou Lumenick / Alias : New York Post
There's a blue-chip cast running the gamut from A (Casey Affleck) to W (Kate Winslet) and terrific action sequences in Triple 9 - but in the end, this relentlessly nihilistic crime-caper thriller adds up to less than the sum of its impressive parts.

Name : Joe Morgenstern / Alias : Wall Street Journal
"Triple 9" is as heartless as the people who infest it-the exception being a decent cop, Chris Allen, played by Casey Affleck-and mannered to the point of self-parody.

Name : Ty Burr / Alias : Boston Globe
Hillcoat brings stray moments of style and surprise to "Triple 9" but not nearly enough to save it; for every twist you don't see coming, there are five you probably will.

Name : A.A. Dowd / Alias : AV Club
Triple 9 is like a David Ayer film on steroids, which is to say it's like Training Day if most of the characters were as morally compromised as Denzel Washington's.

Name : Soren Anderson / Alias : Seattle Times
[Hillcoat is] an expert in creating and sustaining gut-twisting tension. Good qualities all, but used here in the service of a story that is truly unappetizing.

Name : Barbara VanDenburgh / Alias : Arizona Republic
The action is bracing, the twists sprightly, but the sum of its parts sits heavy, like a meal that won't digest.

Name : Ann Hornaday / Alias : Washington Post
"Triple 9" feels more like a collection of good scenes than a novel, propulsive whole. Viewers are apt to be entertained by the film's visceral pulp pleasures, but left apathetic when it comes to its instantly forgettable genre cliches.

Name : Todd McCarthy / Alias : Hollywood Reporter
Without much investment, one just sits back with increasing detachment and bemused curiosity as to where and on whom the next shoe will drop.

Name : Matthew Lickona / Alias : San Diego Reader
The uneven thing [here] is John Hillcoat's direction: a tense, sustained journey through an apartment while lined up behind a bulletproof shield alternating with indulgent zooms and cuts depicting local color.

Name : Peter Howell / Alias : Toronto Star
John Hillcoat packs a binge watch of characters and incidents into this corrupt-cop thriller.

Name : David Edelstein / Alias : New York Magazine/Vulture
Given the movie's bloody stew of greed and sadism, its unbalanced frames and ear-scraping soundscape, its moral tidiness can bring a smile to your otherwise appalled face.

Name : Colin Covert / Alias : Minneapolis Star Tribune
"Triple 9" is a superbly crafted film, the sort of big-screen roller coaster I admire even if its plot falters.

Name : Manohla Dargis / Alias : New York Times
One of those productions in which much of the creative energy has been funneled into gaudily inventive displays of violence.

Name : Cary Darling / Alias : Fort Worth Star-Telegram/DFW.com
The slam-bang opening bank robbery and chase channels the best of Michael Mann from his Heat days. But Triple 9 soon bleeds out and becomes a perfunctory hodgepodge of other crime movies.

Name : James Berardinelli / Alias : ReelViews
Hillcoat's approach is to craft a pulse-pounding experience that employs a mixture of conventional footage and hand-held work. There's an immediacy to the most gripping scenes.

Name : J. R. Jones / Alias : Chicago Reader
Matt Cook's maiden feature-length screenplay-something about dirty Atlanta cops being blackmailed by the Russian Jewish mafia-is so murky it leaves the whole cast looking tentative, if not defensive.

Name : Steven Rea / Alias : Philadelphia Inquirer
Most parties concerned maintain their grim countenances, their characters struggling to find the sweet spot between honor and greed, between doing the right thing and doing the absolute worst.

Name : Mark Jenkins / Alias : NPR
Cops prowl darkened mazes, looking for perps they probably couldn't see even if they found them.

Name : Mick LaSalle / Alias : San Francisco Chronicle
"Triple 9" doesn't exactly transcend its genre, but it definitely exploits it for all it's worth.

Name : Calvin Wilson / Alias : St. Louis Post-Dispatch
Although "Triple 9" was most likely just a paycheck film for all involved, its go-for-the-gut efficiency can't be denied.

Name : Tom Huddleston / Alias : Time Out
Tight, taut and brilliantly structured.

Name : Brad Wheeler / Alias : Globe and Mail
Though compelling in the acting and cinematography, Triple 9's plot is by the numbers and about nothing.

Name : Stephen Whitty / Alias : New York Daily News
It's got everything except a real script. Or director.

Name : Lindsey Bahr / Alias : Associated Press
Triple 9 imagines itself a sprawling, nihilistic epic, and it floats along for a while on the shoulders of its prestige filmmaking and cast, but ultimately the storytelling just isn't up to the task.

Name : Rafer Guzman / Alias : Newsday
A miserable, misguided police drama that almost seems to hate the police.

Name : Justin Chang / Alias : Variety
A modern-day heist thriller of unusually grim, coiled intensity .

Name : Chris Nashawaty / Alias : Entertainment Weekly
The most impressive thing about Triple 9 is that it somehow manages to be both predictable and incoherent at the same time. Well, that and the fact that it manages to make half a dozen good actors look really lost.

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